“It is necessary to be concerned about the importance
of educating a really beautiful human spirit”
- Shinichi Suzuki

“if children hear fine music from the day of their birth & learn to play it,
they develop sensitivity, discipline, & endurance.
They get a beautiful heart.”
- Shinichi Suzuki

“When love is deep, much may be accomplished.”
- Shinichi Suzuki

“It is necessary to be concerned about the importance
of educating a really beautiful human spirit”
- Shinichi Suzuki


Welcome to Suzuki Strings of Austin!

We are a collaborative group of teachers that offer programs founded on the teaching philosophy of Shinichi Suzuki. Currently we have classes in Early Childhood Education (from birth to 3 years) as well as private lessons and group instruction for violin and viola (3 years and up).

Please look around our website and contact us with any questions: suzukistringsofaustin@gmail.com

Come be part of the "Live Music Capital of the World!"
The Suzuki Strings of Austin are currently accepting new students! Get in touch!


Announcements & News

Duets and Diapers: Music Lessons Benefit Babies

New Canadian research finds music training in the second six months of life can enhance infants’ emotional development and communication skills.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
May 9, 2012 • By
 
When should you start your child on music lessons? New research suggests the answer is somewhere around age six.

Six months, that is.

In two recently published papers, psychologists Laurel Trainor and David Gerry of the McMaster Institute for Music and the Mind report music training can foster babies’ emotional development and communication skills.

“The infant brain might be particularly plastic with respect to musical experience,” the researchers write in the journal Developmental Science. “When parents are actively involved and materials appropriate for infants are utilized, musical training can profitably begin early in infancy.”

The researchers describe a six-month experiment featuring 34 infants and their parents. The babies’ average age at the time of the first session was six and one-half months; the last week of classes occurred around their first birthday.

Twenty of the infants and their parents participated in weekly, hour-long interactive music classes, which utilized the well-known Suzuki method.

“Two teachers worked with the parents and infants to build a repertoire of lullabies, action songs and nursery rhymes,” the researchers write. “Parents were encouraged to use the curriculum CD at home and to repeat the songs and rhymes daily.”

The other 14 infants and their parents enrolled in passive music classes, where they listened to “a rotating series of recordings from the popular Baby Einstein series” while playing together with balls, blocks or books.

After six months, those who took part in the active music lessons demonstrated a preference for tonal over atonal music—a pattern not found in the passive group. (Struggling record companies: These passives might grow into a potential audience for that backlog of Arnold Schoenberg CDs!) In addition, the researchers found “significantly larger and/or earlier responses” to piano tones in the brains of the babies who took active lessons.

But the benefits of this training went far beyond early indications of music appreciation.

“After participation in active music classes, infants showed much lower levels of distress when confronted with novel stimuli than after participation in passive music classes,” the researchers report. All the babies smiled and laughed less as they aged during the experiment, but the fall-off was greater among the passive listeners.

Communication skills were also positively affected. “Use of gestures increased greatly between six and 12 months of age,” the researchers note, “but increased more so for those in the active compared to the passive music classes.”

Trainor and her colleagues do not view these developments as isolated. “Positive social interactions between infants and parents likely lead to better communication and earlier acquisition of communicative gestures, which in turn lead to more positive social interactions,” they write.

So never hesitate to teach your little one a lullaby. Even at a very young age, making music together is great way for parents to bond with their budding baritone or Beyoncé.

 

 
About Tom Jacobs
Staff writer Tom Jacobs is a veteran journalist with more than 20 years experience at daily newspapers. He has served as a staff writer for The Los Angeles Daily News and the Santa Barbara News-Press. His work has also appeared in The Los Angeles Times, Chicago Tribune and Ventura County Star.
 
 

Babies’ Brains Benefit from Music Lessons, Even Before They Can Walk and Talk

ScienceDaily (May 9, 2012) — After completing the first study of its kind, researchers at McMaster University have discovered that very early musical training benefits children even before they can walk or talk.

They found that one-year-old babies who participate in interactive music classes with their parents smile more, communicate better and show earlier and more sophisticated brain responses to music.

The findings were published recently in the scientific journals Developmental Science and Annals of the New York Academy of Sciences.

“Many past studies of musical training have focused on older children,” says Laurel Trainor, director of the McMaster Institute for Music and the Mind. “Our results suggest that the infant brain might be particularly plastic with regard to musical exposure.”

Trainor, together with David Gerry, a music educator and graduate student, received an award from the Grammy Foundation in 2008 to study the effects of musical training in infancy. In the recent study, groups of babies and their parents spent six months participating in one of two types of weekly music instruction.

One music class involved interactive music-making and learning a small set of lullabies, nursery rhymes and songs with actions. Parents and infants worked together to learn to play percussion instruments, take turns and sing specific songs.

In the other music class, infants and parents played at various toy stations while recordings from the popular “Baby Einstein” series played in the background.

Before the classes began, all the babies had shown similar communication and social development and none had previously participated in other baby music classes.

“Babies who participated in the interactive music classes with their parents showed earlier sensitivity to the pitch structure in music,” says Trainor. “Specifically, they preferred to listen to a version of a piano piece that stayed in key, versus a version that included out-of-key notes. Infants who participated in the passive listening classes did not show the same preferences. Even their brains responded to music differently. Infants from the interactive music classes showed larger and/or earlier brain responses to musical tones.”

The non-musical differences between the two groups of babies were even more surprising, say researchers.

Babies from the interactive classes showed better early communication skills, like pointing at objects that are out of reach, or waving goodbye. Socially, these babies also smiled more, were easier to soothe, and showed less distress when things were unfamiliar or didn’t go their way.

While both class types included listening to music and all the infants heard a similar amount of music at home, a big difference between the classes was the interactive exposure to music.

“There are many ways that parents can connect with their babies,” says study coordinator Andrea Unrau. “The great thing about music is, everyone loves it and everyone can learn simple interactive musical games together.”

http://www.sciencedaily.com/releases/2012/05/120509123653.htm

Mother’s Day Recitals

Our Spring Recitals this year are on Mother’s Day! 

Sunday, May 13th, 2012
at Blackerby Recital Hall
2:00pm or 3:30pm

Please check with your teacher to know the recital on which you will be performing.

The Answer to…Why?

Just when the days are getting longer
And one yearns to curl with a book or play a game
And forget about relaxed shoulders and ready fingers

Just when nightfall comes
And it is time to wrap up the day
It is tempting to ignore the instruments in the corner

Just when it seems almost pointless to force a practice
And one wonders why we are even on this musical journey

Something like this spontaneously happens -

Then everything makes sense again
And all is right with the world.

And we know Why.

~Raji

Zoe and her mom visit the Young Composers Concert

Zoe and I ventured to the Texas Young Composers concert last Thursday night at the Long Center. The ASO played 9 compositions by kids age 18 and under from around the state. Let me just say we almost didn’t go. The concert started at bedtime, after a long day of school and group class, and I anticipated various Friday morning consequences. Zoe (who is 7) was excited to go though, and we are both so glad we made the effort.

Each piece was preceded by a short video interview with the composer, which gave us some background and helped us understand a little more about what we were about to hear. The interviews were quirky, charming, and inspiring. We both loved the music. The compositions were each engaging and different, and Zoe really enjoyed herself. One piece, written by a 14 year old girl, particularly impressed us. Together we enjoyed picking out the sounds of various instruments and watching the string players especially.  Each composition lasted less than 7 minutes, and there was a short intermission. We didn’t get home until after 9:30, but I think the richness of the experience and the lasting impression it left made the groggy Friday morning worth it.
I feel very fortunate to live in this city which hosts so many family friendly musical experiences. Zoe’s enthusiasm for the Young Composers concert inspired me to take advantage of these opportunities more often, even when they mean fighting traffic, paying for parking, and losing a couple hours of sleep. Let us know if you’re interested in attending anything like this in the future! We usually try to make it to some of the free summer Hartman Foundation “Concerts in the Park.” A strings ensemble plays on June 3rd!

~Sarah